BROPHY'S SANTA BARBARA
Will restaurant design do a 180 into rebellious excess when the pandemic is over? Many
experts are saying “yes” and predict that hospitality design will begin to reflect our need
to celebrate after such a long, bleak year. They believe that millennial minimalism,
which felt deceptively safe and calming while we were unwittingly living on the precipice
of disaster, also felt undeniably bland.
At least that’s what The New York Magazine argued in its story ‘Will the Millennial
Aesthetic Ever End?’ published March 3 of last year, just weeks before the world locked
down. Then, while we remained grounded at home, the style continued to permeate our
Instagram feeds, whether through images of empty hotel lobbies or influencers’ carefully
staged homes.
But, after a year that has been largely defined by grim monotony and an acute lack of
joy, the article questions what purpose such uniformity and predictability will serve us
when we come out on the other side?
“We have fallen into a trap where everything is starting to look alike, even if it’s a
slightly different color,” says Ian Schrager, creative director of the Edition and owner of
Public hotels. “People are wanting some magic, some stagecraft, some theatricality, to
just have their spirits lifted. They want to feel that excitement and be able to cut it in the
air with a knife.”
When it comes to theatrics, Schrager knows a thing or two. Before creating a hotel
empire, the designer and nightlife figure co-founded Studio 54, the legendary nightclub
born out of a 1970s New York spiraling into a fiscal crisis. While the turbulence of 2020
may look different from that of the 1970s, Schrager suspects the city’s hospitality spaces
may regain some of the character it had back in the days of Studio 54—a time when
sequins were an unofficial dress code and Bianca Jagger rode a horse onto the dance
floor.
“People will reject sameness,” says Schrager, who is opening multiple properties around
the globe this year, from Tokyo to Reykjavík to Madrid. “They will want to try and have a
real unique experience. They will want to be made to feel good.”
The new “Maximalism” delivers just that. It is creative and courageous, unlike the
minimalist interior that looks like every other monochromatic interior.
Just as styles come in cycles and in waves, the same applies to restaurant design. The
pendulum has been in a long, steady swing toward stark minimalism with bare, spare,
Swedish sensibility and unfinished wood and metal. We are now seeing a blip on the
radar that could lead to seismic change.
If the pandemic era has been centered around sacrifice, loss, and isolation, then maybe,
finally, we can indulge in the things we’ve been deprived of for so long. It’s hard to
imagine the muted tones of millennial minimalism capturing that sentiment, when
every occasion feels worthy of celebration.
BROPHY BROS.
Photo Credit Kcruts Photography
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BROPHY BROS.